The Conjuring follows Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga), a couple of demonologists dedicated to solving supernatural mysteries. We're not being very original here, since this movie is as famous as it gets in today's horror genre (alongside other sagas like Saw or Halloween), but that doesn't mean it's not a perfect option for a scary evening among friends. If you're looking for traditional yet cleverly crafted jumpscares, the first movie in The Conjuring series will prove more than effective. Grab your popcorn and hug the ones you love before pressing play. There have been some recent horror releases, like the surprisingly spooky A Haunting in Venice and Spanish horror Verónica's prequel Sister Death joining some great horror movies on Netflix, plus the very disappointing sequel The Exorcist: Believer, but none of those will do the trick if what you are looking for are the scariest movies ever made. And even if they haven't, they are absolutely terrific films worth watching beyond Halloween time. We can bet at least one of these have scared you senseless at some point. However, we can find some common ground in the horror movies listed here, from classics like The Exorcist to new cinematic nightmares like Talk to Me. There are even moviegoers who perhaps find the scares in non-horror films, because their personal experiences and fears are not limited to the realm of scary movies. Some viewers shamelessly fall for every single jumpscare in The Conjuring movies no matter how predictable it is, while others are better spooked by eerie atmospheres where fear is a deeper and quieter emotion. The premise of this list is actually quite complicated, since being scared by a movie is an entirely personal and subjective experience. Audiences expecting more Bullock or more weighty import from A Time to Kill will have to adjust expectations and settle for the kick of a good yarn.Looking for the scariest horror movies to watch at Halloween?įear not, or maybe fear yay – here are some scary movies that will do the trick (or treat) for this weekend, as recommended by the Digital Spy team. She’s top-billed in the film, yet she’s saddled with a supporting role as a Boston law student, a babe genius who assists Jake with the case and pays a tall price for messing with Southern politics and Jake’s marriage. The oddest turn comes from adorable Sandra Bullock. Oliver Platt, as Jake’s cynical lawyer crony, is obvious but welcome comic relief. Neither does the gifted Ashley Judd as Jake’s sexy but strident wife (“They’re burnin’ crosses on our lawn!”). Kiefer Sutherland, Donald’s son, doesn’t fare as well as a stereotyped racist. Emmet Walsh as a boozy shrink and Donald Sutherland as a boozy, disbarred lawyer. He draws prime performances from a rich cast, notably Oscar-winner Kevin Spacey as a treacherous prosecutor, Brenda Fricker as Jake’s cheeky secretary, Patrick McGoohan as a hanging judge named Noose, Charles Dutton as a football hero-turned-sheriff, M. In fact, A Time to Kill is at its most compelling and entertaining when Schumacher lets it rip in the old potboiler tradition. Porno for Pyros Postpone Reunion Tour to Work on New Music In A Time to Kill, way long at 148 minutes, they cram in too much, including Grisham’s polemics about racism, the resurgence of the Ku Klux Klan and the moral dilemma of the death penalty. Schumacher and screenwriter Akiva Goldsman adroitly pared down The Client to its emotional core. Still, there should have been limits to pleasing Grisham. McConaughey, 26, is dynamite in a performance of smarts, sexiness, scrappy humor and unmistakable star sizzle. Grisham rejected the usual star suspects (Brad Pitt, Val Kilmer, Woody Harrelson) but sparked when director Joel Schumacher brought him Matthew McConaughey, a Texas greenhorn best known as Drew Barrymore’s cop loverman in Boys on the Side. Grisham felt close to Jake since he, too, was a young Mississippi lawyer before quitting to write such best sellers-turned-movie blockbusters as The Pelican Brief and The Client. Jackson), on trial for killing the two white men who raped his 10-year-old daughter. He withheld selling the film rights (for a very impressive $6 million) until he had a say in who would play Jake Brigance, the young Mississippi lawyer defending a black father, Carl Lee Hailey (Samuel L. No one takes the film of John Grisham’s 1989 novel, his first and most personal, more seriously than Grisham.
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